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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Yuri Annenkov (self-portrait, 1910 GRM).jpg|thumb|200px|Self-portrait, 1910]]&lt;br /&gt;
[[File:Annenkov-sherling.jpg|thumb|200px|Portrait of photographer M.A. Sherling, 1918]]&lt;br /&gt;
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'''Yury Pavlovich Annenkov''' ({{lang-ru|Юрий Павлович Анненков}} also known as '''Georges Annenkov'''); {{OldStyleDate|23 July|1889|11 July 1889}} in [[Petropavl]]ovsk, [[Akmolinsk Oblast (Russian Empire)|Akmolinsk Oblast]], [[Russian Empire]]&amp;amp;nbsp;– 12 July 1974 in [[Paris]], [[France]]),&amp;lt;ref&amp;gt;Names by which he is credited for his work on films include ''Georges Annenkov'', ''Georges Annet'', and ''D'Annenkoff''. Sometimes he signed his work ''G. Annenkoff.'' [http://www.shareholder.com/bid/news/20021112-95036.cfm] [http://mymovies.imdb.com/name/nm0030333/] {{cite web|url=http://www.elithographs.com/images/vol_0932.jpg |title=Archived copy |accessdate=October 17, 2006 |deadurl=yes |archiveurl=https://web.archive.org/web/20070929022015/http://www.elithographs.com/images/vol_0932.jpg |archivedate=September 29, 2007 }}&amp;lt;/ref&amp;gt; was a Russian artist mostly known for his book illustrations and portraits. He also worked for theatre and cinema (design). A member of [[Mir Iskusstva]].&lt;br /&gt;
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In his essay &amp;quot;On [[Synthetism]]&amp;quot; (1922), [[Yevgeny Zamyatin]] writes that &amp;quot;[Annenkov] has a keen awareness of the extraordinary rush and dynamism of our epoch. His sense of time is developed to the hundredth of a second. He has the knack--characteristic of Synthetism--of giving only the synthetic essence of things.&amp;quot;&lt;br /&gt;
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Yury Annenkov was born into a well-known family (among his ancestors was [[Pavel Annenkov]], [[Alexander Pushkin]]'s publisher); his father, Pavel Annenkov was involved with revolutionary activities that led him to exile in [[Siberia]]. The Annenkovs moved back to [[Saint Petersburg|St.&amp;amp;nbsp;Petersburg]] in 1892.&lt;br /&gt;
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In 1908, Annenkov entered the [[University of St. Petersburg]] and attended Savely Seidenberg's studio classes, together with [[Marc Chagall]]. Next year, 1909, he attended [[Jan Ciągliński]]'s studio. In 1911-1912, Annenkov moved to Paris to work in the studios of [[Maurice Denis]] and [[Félix Vallotton]]. In 1913, Annenkov worked in Switzerland. Upon his return to St.&amp;amp;nbsp;Petersburg in 1914, Annenkov mostly contributed to magazines (''Satirikon'', ''Teatr i Iskusstvo'', ''Otechestvo'') and worked for theatres.&lt;br /&gt;
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[[Maxim Gorky]]'s fairy-tale book, ''Samovar'', published in 1917 was his first work as a book designer. His recognition as a book illustrator came in the wake of his most known work&amp;amp;nbsp;— designing [[Alexander Blok]]'s poem, [[The Twelve]], published in 1918 and gone through three printings within a year. In the next few years Annenkov designed numerous books for [[Petrograd]] authors ([[Mikhail Kuzmin]] and [[Aleksey Remizov]], to name a few). In 1919 Annenkov designed and staged &amp;quot;First Distiller, or How an Imp Earned a Hunk of Bread&amp;quot;, a comedy by Count [[Lev Tolstoi]].&lt;br /&gt;
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Commissioned by the Bolshevik government, Annenkov together with [[Mstislav Dobuzhinsky]], S. Maslovski and A. Kugel, designed and staged the open-air mystery &amp;quot;Liberated Labour Anthem&amp;quot; on 1 May 1920 in [[Petrograd]]. Later that year, Annenkov staged and designed another mass show, [[The Storming of the Winter Palace]], part of the [[October Revolution]] anniversary celebrations in [[Palace Square]], Petrograd. In 1919-1920 Annenkov made a series of abstract sculptural assemblages and collages, influenced by the [[Dada]] movement.&lt;br /&gt;
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1922 saw his book &amp;quot;Portraits&amp;quot;. It contained 80 pictures of the key-figures of Russian art of the time ([[Maxim Gorki|Gorki]], [[Yevgeny Zamyatin|Zamyatin]], [[Remizov]], [[Fyodor Sologub|Sologub]], [[Alexander Blok|Blok]], [[Akhmatova]] a.o.) made in 1906-1921. The book also included essays by [[Yevgeny Zamyatin]] and [[Mikhail Kuzmin]]. He joined the [[Mir Iskusstva]].&lt;br /&gt;
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Annenkov left Russia in July 1924, first living in Germany and later settling in Paris.&lt;br /&gt;
He continued to work as an artist and served as a costume designer for motion pictures. He was co-nominated with [[Rosine Delamare]] for the [[Academy Award for Costume Design]] for their work in the film ''[[The Earrings of Madame de...]]'' (1953).&lt;br /&gt;
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==External links==&lt;br /&gt;
*{{IMDb name|id=0030333}}&lt;br /&gt;
* {{Find a Grave|75716312}}&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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{{Authority control}}&lt;br /&gt;
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{{DEFAULTSORT:Annenkov, Yury}}&lt;br /&gt;
[[Category:1889 births]]&lt;br /&gt;
[[Category:1974 deaths]]&lt;br /&gt;
[[Category:People from Petropavl]]&lt;br /&gt;
[[Category:20th-century Russian painters]]&lt;br /&gt;
[[Category:Russian male painters]]&lt;br /&gt;
[[Category:Russian avant-garde]]&lt;br /&gt;
[[Category:Russian Expressionist painters]]&lt;br /&gt;
[[Category:Annenkov family]]&lt;br /&gt;
[[Category:Russian costume designers]]&lt;br /&gt;
[[Category:Imperial Russian emigrants to France]]&lt;br /&gt;
[[Category:Burials at the Cimetière de Bagneux]]&lt;br /&gt;
[[Category:Soviet emigrants to France]]&lt;/div&gt;</summary>
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