Convention for the Safeguarding of the Intangible Cultural Heritage

From Kazakhstan Encyclopedia

Template:Merge from Template:Use dmy dates Template:Infobox treaty The Convention for the Safeguarding of the Intangible Cultural Heritage is a UNESCO treaty adopted by the UNESCO General Conference on 17 October 2003. The convention entered into force in 2006, after thirtieth instruments of ratification by UNESCO Member States.[1] As of September 2016, 171 states have ratified the convention.[2]


Layout of the Convention

The Convention contains following provisions:

I. General Provisions

II. Organs of the Convention

III. Safeguarding of the intangible cultural heritage at the national level

IV. Safeguarding of the intangible cultural heritage at the international level

V. International cooperation and assistance

VI. Intangible Cultural Heritage Fund

VII. Reports

VIII. Transitional clause

IX. Final clauses

Purposes of the Convention

Unlike other UNESCO conventions, this convention begins with stating its purposes, which are; Template:Quote



Intangible cultural heritage refers to "traditions or living expressions inherited from our ancestors and passed on to our descendants, such as oral traditions, performing arts, social practices, rituals, festive events, knowledge and practices concerning nature and the universe or the knowledge and skills to produce traditional crafts".[3] The Convention defines it as follows:



The Convention works on both national and international levels. At the national level, State Parties are supposed to ‘take necessary measures to ensure the safeguarding of the intangible cultural heritage present in its territory.” These measures include identification of the intangible cultural heritage that exists in its territory, adoption of appropriate policies, promotion of education and so on.[4] Besides, in taking these measures, each state parties must “endeavor to ensure the widest possible participation of communities, groups, and, where appropriate, individuals that create, maintain and transmit such heritage, and to involve them actively in its management”.[5]

At the international level, this Convention promotes international cooperation, which includes “the exchange of information and experience, joint initiatives, and the establishment of a mechanism of assistance” to other State Parties.[6]


The Committee to the Convention publishes and keeps up to date two lists of intangible cultural heritage, which are

Intangible Cultural Heritage Fund

The Convention establishes Intangible Cultural Heritage Fund, the use of which is decided by the Committee. The fund mainly consists of the contributions by State Parties and funds by the General Conference of UNESCO.[8]



One of the first international occasions that mentioned the preservation of 'intangible heritage' was the World Conference on Cultural Policies in Mexico City in 1982.[9] This Conference defined cultural heritage as including “both tangible and intangible works through which the creativity of people finds expression,” and asked UNESCO and Member States to take measures for protecting this kind of heritage.[9]

In 1989, UNESCO adopted the Recommendation on the Safeguarding of Traditional Culture and Folklore as the first legal instrument towards the safeguarding of intangible cultural heritage.[10] This Recommendation reflected the ideas of the earlier Conference in Mexico City. UNESCO conducted some promotional programs for raising awareness of this Recommendation, but was not very successful.[10] However, in the late 90's, there was a conference held for the assessment of this Recommendation, which pointed out some problems to be considered in drafting the Convention. In this sense, this Recommendation served as an important step.[11]

In 1997, UNESCO launched the program of Proclamation of the Masterpieces of the Oral and Intangible Heritage of Humanity, intending to raise awareness of the importance of intangible heritage. This program proclaimed a total of 90 masterpieces between 2001 and 2005, and caused the movement toward the Convention.[12]


According to the request of Member States, a preliminary study, undertaken by Director-General, on how could the safeguarding of intangible cultural heritage be conducted, recommended to create a new document that set an international standard.[11]

In 2001, the General Conference adopted another instrument, Universal Declaration on Cultural Diversity, which also includes articles dealing with the preservation of ’heritage in all forms’.[13] This declaration and its Action Plan presented basic idea of the coming convention and helped to develop it.[14]

As a result of many meetings for two years, the draft Convention was brought into the General Conference and adopted in 2003.


  • The definition of intangible cultural heritage has been criticized as potentially incomplete. For example, in a 2004 article in Museum International, Richard Kurin says that because the Convention does not recognize cultural activities not compatible with international human rights instruments, some activities, such as female genital mutilation, that groups may themselves consider critical to their culture, are not eligible. Similarly, Kurin notes that since many group's culture is defined in opposition to other cultures, the requirement for "mutual respect" may leave out traditional songs and stories that glorify "empire, victorious kings, religious conversion, or alternatively resistance to perceived injustice, martyrdom and defeat".[15] However, Kurin also notes that the definition can be more expansive than intended by its designers, who originally planned only to protect "traditional cultural activities". He says that it is robust enough to encompass more modern forms of culture, including things like "rap music, Australian cricket, modern dance, post-modernist architectural knowledge, and karaoke bars".[15]
  • Richard Kurin has argued that dividing culture into individual units is inconsistent with modern academic views of cultures.[15] Additionally, Michael Brown has argued that Convention's focus on cataloging is based on an outdated belief that listing the details of a culture has some connection to preservation of that culture.[16] States are also encouraged to enact programs to safeguard intangible cultural heritages, though any such work must be done in cooperation with the local practitioners. This aspect has also been criticized, since it is unclear how a state can safeguard a cultural practice by force, particularly if there is insufficient interest from local practitioners.[15]

See also




External links

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